Tag Archives: the white queen

The White Queen, episode 3

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A Nevill Feast

Warwick: You’re my prisoner, Edward!
Edward: I’m your King, cousin!
Warwick: Where did he go?
Elizabeth: Off with their heads!
Edward: No, I’ve decided to forgive them.
Elizabeth: Off with their heads!
Edward: I’m your King, wife!
Isobel: I’m still a pawn.
Gloucester: Shouldn’t I be taking a ring to Mount Doom?
Margaret Beaufort: I had sex. Didn’t enjoy it.
Elizabeth: I need a son, mother.
Jaquetta: Sorted.
Welles: I’m confused.
Jaspeer Tudor: You’re confused?!
Elizabeth: I want Warwick’s ship to sink, mother.
Jaquetta: Sorted.

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The White Queen, episode 2

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A Nevill Feast

Elizabeth: Edward, Warwick hates you!
Edward: No, he loves me.
Warwick: No, she’s right. I hate you now.
Isobel: Anne! I’ve just found out I’m a pawn!
Henry VI: I could be wrong, but I think I might be Jesus.
Elizabeth:  I’ve just been told my father’s dead.
Audience: So have we.
Margaret Beaufort: My son will be king!
Gloucester: Hang on, I’m pretty sure I just foreshadowed that I’ll be king.
Elizabeth: I’m going to put a curse on a bunch of people.
Audience. Knock yourself out. I think we’ve lost interest.

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The White Queen, episode 1

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A Nevill Feast

Edward: I want you.
Elizabeth: You can’t have me.
Jaquetta: I see dead people.
Warwick: Edward!
Edward: Let’s get married. Secretly.
Elizabeth: Cool!
Anthony: He’s lying to you.
Elizabeth: No, he’s not.
Edward: No, I’m not.
Warwick: Edward!
Elizabeth: Curtsey, scum!

 

All I can do now is hope I get to catch the rest of it on youtube.

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6 July 1483: The Coronation of King Richard and Queen Anne

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The night before the coronation, like monarchs before her, Duchess Anne of Gloucester (born Lady Anne Neville) stayed in The Tower of London. For the procession from the Tower to Westminster on the eve of the ceremony, she wore a kirtle and mantle made from 27 yards of white cloth-of-gold furred with ermine and miniver, and trimmed with lace and tassels of white silk and gold (Laynesmith, p. 92).

Queen Anne

Queen Anne

On 6 July 1483, The Duke and Duchess of Gloucester were crowned King and Queen of England. Richard and Anne shared a joint coronation. Not since the days of Edward II and Isabel of France had England seen such a magnificent event. The coronation day began at 7 am with a procession on foot from Westminster Hall to the Abbey. For that day, Anne dressed in a robe, curtle, “surcote overt”, and mantle, all of rich purple velvet, furred with ermine, and adorned with rings and tassels of gold; and another suit of crimson velvet, “furred with pure minever”. Her whole purple velvet suit had a fifty-six yard train. (Lawrance)

Both King and Queen had their own separate attendants and train. Lady FitzHugh (born Lady Alice Neville) and her daughter Lady Parr (born Elizabeth FitzHugh) were two of the seven noble ladies to ride behind the queen. Lady FitzHugh was an aunt to Queen Anne and a cousin to King Richard. These two ladies were of course great-grandmother and grandmother to another queen consort, Katherine Parr. Both were dressed in fine dresses made by cloth that the King himself had given them. Lady Parr received seven yards of gold and silk; her mother received material for two gowns, one of blue velvet and crimson satin as well as one of crimson and velvet with white damask. As befitting of a Baroness, eight yards of scarlet cloth was given for mantles on the occasion. Lord Parr (Sir William Parr) chose not to attend the coronation despite being given a position as canopy bearer. Lord Parr had been a staunch supporter of King Edward IV through whom he rose.

In an attempt to conciliate with the Lancastrians, the trains of both the King and Queen were carried by the two lineal representatives of the house, the Duke of Buckingham and the Countess of Richmond [Lady Margaret Beaufort]. (Lawrance)

An account from “The National and Domestic History of England“:

Queen Anne's arms as Queen of England.

Queen Anne’s arms as Queen of England.

After the procession of the king followed that of his queen Anne [Neville]. The earl of Huntingdon bore her sceptre, the viscount Lisle the rod and dove, and the earl of Wiltshire her crown. Then came the queen herself habited in robes of purple velvet furred with ermine having on her head a circlet of gold with many precious stones set therein. Over her head was borne a cloth of estate. On one side of her walked the bishop of Exeter on the other the bishop of Norwich. A princess of the blood, the celebrated Margaret, countess of Richmond, mother of Henry VII supported her train. After the queen walked the king’s sister Elizabeth, duchess of Suffolk, having on her head a circlet of gold and after her followed a train of highborn ladies succeeded by a number of knights and esquires. Entering the abbey at the great west door the king and queen took their seats of state staying till divers holy hymns were sung when they ascended to the high altar where the ceremony of anointing took place. Then the king and queen put off their robes and there stood all naked from the middle upwards and anon the bishop anointed both the king and the queen. This ceremony having been performed, they exchanged their mantles of purple velvet for robes of cloth of gold and were solemnly crowned by the archbishop of Canterbury assisted by the other bishops. The archbishop subsequently performed high mass and administered the holy communion to the king and queen after which they offered at St Edward’s shrine where the king laid down King Edward’s crown and put on another and so returned to Westminster Hall in the same state they came.

Richard III with his queen Anne and son, Edward, Prince of Wales.

Richard III with his queen Anne and son, Edward, Prince of Wales.

The banquet, which took place at four o clock in the great hall, is described as having been magnificent in the extreme. The king and queen were served on dishes of gold and silver. Lord Audley performed the office of state carver. Thomas Lord Scrope that of cupbearer. Lord Lovel, during the entertainment, stood before the king, “two esquires lying under the board at the king’s feet.” On each side of the queen stood a countess with a plaisance or napkin for her use. Over the head of each was held a canopy supported by peers and peeresses. The guests consisted of the cardinal archbishop the lord chancellor, the prelates, the judges, and nobles of the land, and the Lord Mayor, and principal citizens of London. The ladies sat by themselves on both sides of a long table in the middle of the hall. As soon as the second course was put on the table, the king’s champion Sir Robert Dymoke rode into the hall; his horse being trapped with white silk and red and himself in white harness the heralds of arms standing upon a stage among all the company. Then the king’s champion rode up before the king asking all the people if there was any man would say against King Richard III why he should not claim the crown. And when he had said so all the hall cried King Richard with one voice. And when this was done anon, one of the lords brought unto the champion a covered cup full of red wine and so he took the cup aud uncovered it and drank thereof. And when he had done anon he cast out the wine and covered the cup again and making his obeisance to the king turned his horse about and rode through the hall with his cup in his right hand and that he had for his labour. Then Garter king at arms supported by eighteen other heralds advanced before the king and solemnly proclaimed his style and titles. No single untoward accident marred the harmony or splendour of the day. When at length began to close the hall was illuminated by great light of wax torches and cressets apparently the signal for the king and queen to retire. Accordingly wafers and hipocras been previously served Richard and his rose up and departed to their private apartments in the palace. (Aubrey)

Aneurin Barnard as King Richard III and Faye Marsay and Queen Anne. Fictional portrayal in Philippa Gregory's "The White Queen" (2013).

Aneurin Barnard as King Richard III and Faye Marsay and Queen Anne. Fictional portrayal in Philippa Gregory’s “The White Queen” (2013).

 

Sources

  • William Hickman S. Aubrey. “The National and Domestic History of England,” 1878. pg 193-4.
  • Hannah Lawrance. “Historical Memoirs of the Queens of England from the Commencement of the Twelfth Century,” Volume 2, Moxon, 1840.

The White Queen: romance, sex, magic, scowling, social snobbery and battles

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“The White Queen: romance, sex, magic, scowling, social snobbery and battles” by Amy Licence

How important is authenticity when filming historical dramas?
Terribly important! You should see the notes I sent to the series producers waxing lyrical about the use of horses, clothes, how people travelled, and so on. That sort of thing really matters. However, there are a number of compromises you do have to make when working in film, which can be  very frustrating – that’s why I’m a novelist, I suppose.

Historical fiction, when written well, can teach you these things without you having to study it. (Philippa Gregory, BBC History Magazine Interview)

“It is a little more Romeo and Juliet than accurate medieval protocol.” (Licence)

cecily_1

Elizabeth and her mother Lady Rivers meet the King’s mother in ‘The White Queen’, episode 1.

Sunday nights episode of ‘The White Queen’ in my opinion was great. Put a woman screenwriter together with the BBC and bam! However there was something that really made me angry about the episode and surprise, surprise — I’M NOT THE ONLY ONE who had a problem with it.

Lady Cecily, Duchess of York portrayed by Caroline Goodall.

Lady Cecily, Duchess of York portrayed by Caroline Goodall.

Amy Licence, author of the latest biography of Queen Anne Neville and Elizabeth of York reviewed the first episode. Licence and I agree on this both — she basically sums up that they (screenwriter or Gregory herself) REALLY screwed up on behalf of Lady Cecily Neville, Duchess of York (grandaunt of Anne Neville); thank you Lord!

Jacquetta Rivers portrayed by Janet McTeer and Lady Cecily portrayed by Caroline Goodall

Jacquetta Rivers portrayed by Janet McTeer and Lady Cecily portrayed by Caroline Goodall

“It was in the exchange with Duchess Cecily (Caroline Goodall) however, that Jacquetta, as her daughter’s mouthpiece, really overstepped the historical mark. The disapproving Duchess, who was known in real life as “proud Cis,” is too easily overcome by her social inferiors when they whip out her apparent “secret” affair with a French archer. Lost for words, she is silenced within minutes, almost cowed by them. While contemporary notions of “courtesy” dictated extreme forms of submission to the queen, this is a Cecily straight from the pages of a novel rather than the actual proud aristocrat who asserted her own right to rule.”

I’m going to be brutally honest here — are you kidding me?? I don’t like Jacquetta’s “holier than thou” attitude that is emerging. This was obviously a horrid and tasteless attempt to boost Jacquetta’s influence and “power” over the Duchess. It’s more than obvious that Gregory has become obsessed with Jacquetta and her daughter. In my opinion, if they REALLY wanted to boost Jacquetta SO much — they could have done it in a different way. They didn’t have to insult the King’s mother, the daughter of a powerful Earl and Countess Lady Joan Beaufort, granddaughter of a royal Duke of Lancaster and titular King of Castile [son of King Edward III of England], and widow of the Duke of York [double descendant of Edward III]! I know it didn’t happen in history, but still — that scene should have been cut or done differently. If they had been at court and the Duchess had been sitting with her son, I do not think the two would have addressed each other as such and Elizabeth wouldn’t have pulled the Queen card after letting her mother b***h out her mother-in-law. It’s rather ironic that Elizabeth comes in flabbergasted, but after her mother calls her mother-in-law a whore she has the nerve and guts to demand the Duchess bow down to her; then gloats to her husband how everyone is “great friend’s” now. Yeah, sure — Elizabeth is now best friends with “Duchess Cecily”. I don’t think Gregory thought about court etiquette when writing these books and whoever approved the scene has not read any history books lately.

Margaret Beaufort portrayed by Amanda Hale and Lord Warwick portrayed by James Frain

Margaret Beaufort portrayed by Amanda Hale and Lord Warwick portrayed by James Frain

“James Frain, recently lauded for his performance as Thomas Cromwell in The Tudors, may well emerge to steal the show alongside Margaret Beaufort and the other York brothers…” Even Licence applauds Lady Margaret Beaufort early on.

For the complete review — http://www.newstatesman.com/culture/2013/06/white-queen-romance-sex-magic-scowling-social-snobbery-and-battles

STARZ ‘The White Queen’: Lady Margaret Beaufort

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The Red Queen

Lady Margaret Beaufort portrayed by Amanda Hale.

Lady Margaret Beaufort portrayed by Amanda Hale.

A loyal Lancastrian and cousin to the deposed King Henry VI (David Shelley). Margaret suffered a difficult childhood, raised by a loveless and vindictive mother (Lady Beauchamp – Frances Tomelty). In her darkest hour, she turned to God for comfort. She now believes she has been sent a sign that her young son Henry Tudor is destined to be King. Margaret’s terrifying determination to see her son take the throne, leaves her enduring loveless marriages solely to improve her political standing. She is willing to lay down her own life or even kill, so that her son Henry can be fitted for the crown. Her world is filled with cold, calculated maneuvering strictly for her and her son’s gain. — STARZ

Lady Margaret portrayed by Amanda Hale.

Lady Margaret portrayed by Amanda Hale.

Heiress to the red rose of Lancaster, Margaret Beaufort fervently believes that her house is the true ruler of England. Ignored by her sainted cousin Henry VI, mocked by her mother, married at age twelve, and endangered by childbirth, she vows to put her son on the throne. Naming him Henry, she sends him into exile and pledges him in marriage to the daughter of her sworn enemy. 

Philippa Gregory's new covers to promote "The White Queen."

Philippa Gregory’s new covers to promote “The White Queen.”

Margaret charts her own way through loveless marriages, treacherous alliances, and secret plots. Finally, she gambles her life to mastermind one of the greatest rebellions of all time – all the while knowing that her grown son and his army await the opportunity to win the greatest prize. (Gregory)

The White Queen BBC one commercial - Directors cut from Jamie Childs.

The White Queen BBC one commercial – Directors cut
from Jamie Childs.

Sir Thomas Parr’s father, William, 1st Baron Parr of Kendal, had once been Lady Margaret Beaufort’s revisionary heir to her substantial lands in Westmoreland, known as the “Richmond fee.” Lord Parr married to Hon. Elizabeth FitzHugh, daughter of Henry, 5th Baron FitzHugh and Lady Alice Neville (sister of Warwick). Lady Margaret Beaufort was a double second cousin to Elizabeth FitzHugh, Lady Parr [so she would have been a double second cousin, thrice removed of Katherine]. After the death of Lord Parr, his widow made a marriage with the Lancastrian family, the Vauxs’ of Harrowden. The Vaux family was close to Margaret, enjoying a long-term relationship with her. The previous Lady Vaux, mother of Thomas Parr’s step-father Nicholas, had been lady and friend to the Lancastrian queen Margaret of Anjou. Katherine, Lady Vaux served the queen during her exile. Nicholas Vaux (later 1st Baron Vaux) was a protege of Lady Margaret Beaufort. The young Thomas Parr [Katherine’s father and Margaret’s cousin] most likely studied under Maurice Westbury of Oxford who had been installed as a teacher by Lady Margaret Beaufort at her estate of Colyweston. It was at Colyweston that certain gentlemen, including the son of the Earl of Westmoreland [cousin of Sir Thomas], not only received an education but also gained political connections that would prove useful in their future careers.[1][2]

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STARZ Official Trailer


The White Queen BBC one commercial – Directors cut from Jamie Childs on Vimeo.


See also —

STARZ ‘The White Queen’: Elizabeth Woodville

STARZ ‘The White Queen’: The Kingmaker’s Daughters

Sources

  1. Linda Porter. “Katherine the Queen; The Remarkable Life of Katherine Parr, the Last Wife of Henry VIII.” Macmillan, 2010.
  2. Barbara J. Harris. “English Aristocratic Women, 1450-1550 : Marriage and Family, Property and Careers: Marriage and Family, Property and Careers,” Oxford University Press, Jul 26, 2002. pg 218.

Links

STARZ ‘The White Queen’: Elizabeth Woodville

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The “common” Queen

Rebecca Ferguson as Queen Elizabeth.

Rebecca Ferguson as Queen Elizabeth.

A young commoner from the House of Lancaster with angelic beauty and high intellect, Elizabeth becomes widowed when her first husband is killed in battle. She is left to fend for herself with two small boys, until fate introduces her to the noble King Edward IV (Max Irons) from the House of York. They both fall madly in love, and after a secret wedding she becomes Queen of England. At the outset of their lives together, Elizabeth’s motives are pure but once she finds herself on the throne, Elizabeth becomes fiercely protective of her family as she sees the dangerous forces surrounding her in the perilous politics of the day. — STARZ

The first in a stunning new series, The Cousins’ War, is set amid the tumult and intrigue of the Wars of the Roses. Internationally bestselling author Philippa Gregory brings this extraordinary family drama to vivid life through its women – beginning with Elizabeth Woodville, the White Queen.

Philippa Gregory's new covers to promote "The White Queen."

Philippa Gregory’s new covers to promote “The White Queen.”

Elizabeth Woodville, of the House of Lancaster, is widowed when her husband [Sir John Grey of Groby, by whom she has issue] is killed in battle. Aided and abetted by the raw ambition and witchcraft skills of her mother Jacquetta, Elizabeth seduces and marries, in secret, reigning king Edward IV, of the family of the white rose, the House of York. As long as there are other claimants to Edward’s throne, the profound rivalries between the two families will never be laid to rest. Violent conflict, shocking betrayal and murder dominate Elizabeth’s life as Queen of England, passionate wife of Edward and devoted mother of their children.

In The White Queen Philippa Gregory brilliantly evokes the life of a common woman who ascends to royalty by virtue of her beauty, a woman who rises to the demands of her position and fights tenaciously for the survival of her family, a woman whose two sons become the central figures in a mystery that has confounded historians for centuries: the Princes in the Tower whose fate remains unknown to this day. — Gregory

Philippa Gregory's new covers to promote "The White Queen."

Philippa Gregory’s new covers to promote “The White Queen.”

Elizabeth Woodville’s (Rebecca Ferguson) mother. Jacquetta hails from royalty through the House of Burgundy. She is a kind, caring and loving mother. As the matriarch of the family and a woman who feels she is in tune with the Earth and worldly callings, Jacquetta encourages the romance between Elizabeth and Edward, claiming it to be destiny. Jacquetta wants only the best for her daughter, and in Edward, she has gotten it, along with a proper place for herself and the rest of her family in history. That is, if they all can weather the raging political storm. — STARZ

Jacquetta of Luxembourg portrayed by Janet McTeer.

Jacquetta of Luxembourg portrayed by Janet McTeer.

Elizabeth Woodville was the niece of Queen Katherine’s maternal great-great-grandmother Joan Wydeville [Katherine would have been a first cousin, thrice removed of Queen Elizabeth by her mother, Maud Green]. Joan Wydeville married Sir William Haute/Hawte. Their daughter, Alice, married Sir John Fogge. The Haute family which Joan married into was quite prominent during the reign of Edward IV and Richard III. Fogge had originally been a supporter of the Lancastrian king, but in 1460 Fogge joined the Yorkist earls in Kent. It is obvious however that he was a Yorkist by the families which he married into; Alice Kyriel (daughter of Yorkist Sir Thomas) and Alice Haute c. 1465 who was a cousin of Queen Elizabeth. The previous year, Elizabeth Woodville had married Edward. Queen Elizabeth brought her favorite female relatives to court to serve her. Lady Alice Fogge (Haute) would be one of five ladies-in-waiting to her cousin, queen consort Elizabeth Woodville during the 1460s. (Harris) The other ladies included her sister Lady Anne (wife of William Bourchier, Viscount Bourchier and George Grey, 2nd Earl of Kent) and her sister-in-law Lady Elizabeth Scales (wife of Sir Anthony Woodville, 2nd Earl Rivers). (Harris)

Katherine Parr was also a descendant of Henry V, Count of Luxembourg and Marguerite de Bar; William II, Baron of Tingry and Blanche de Brienne; Guy of Dampierre, Count of Flanders; and several other paternal ancestors of Jacquetta of Luxembourg.

Elizabeth Woodville portrayed by Rebecca Ferguson.

Elizabeth Woodville portrayed by Rebecca Ferguson.

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STARZ Official Trailer

The White Queen BBC one commercial – Directors cut from Jamie Childs on Vimeo.


See also —

Starz ‘The White Queen’: The Kingmaker’s Daughters

Starz ‘The White Queen’: Lady Margaret Beaufort

Sources

  • Philippa Gregory. “The White Queen“ (the family tree is not correct and has many links missing!)
  • STARZ. “The White Queen,” August 2013.
  • Philippa Gregory. “The New Cousins’ War Series Book Covers,” 9 May 2013.
  • Barbara J. Harris. “English Aristocratic Women, 1450-1550 : Marriage and Family, Property and Careers: Marriage and Family, Property and Careers,” Oxford University Press, Jul 26, 2002. pg 218.

Links

STARZ ‘The White Queen’: The Kingmaker’s Daughters

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Lady Isabel (Eleanor Tomlinson) and Lady Anne (Faye Marsay); daughters of Lord and Lady Warwick.

Lady Isabel (Eleanor Tomlinson) and Lady Anne (Faye Marsay); daughters of Lord and Lady Warwick.

Lady to Queen

Lady Anne and Lady Isabella of Warwick

Lady Anne and Lady Isabel of Warwick [fan art by tudorquen6, episode 2]

“Daughter of Lord Warwick “The Kingmaker” (James Frain). Anne is a timid girl who becomes a pawn in her unruly father’s struggle for power. As little girls, Anne and her sister Isabel (Eleanor Tomlinson) pretend to be Queen and dream of the royal life along with the finery it will bring. But as Anne grows older, she begins to understand the reality and danger associated with actually wearing the crown. Those who possess it must always watch their back for those trying to take it. And those who want their hands on it will lie, cheat and kill to make it happen. Anne is not sure if constantly living in fear is the life she wants to lead.” — STARZ1yorks

The Kingmaker’s Daughter is the gripping story of the daughters of the man known as the “Kingmaker,” Richard Neville, Earl of Warwick: the most powerful magnate in fifteenth-century England. Without a son and heir, he uses his daughters Anne and Isabel as pawns in his political games, and they grow up to be influential players in their own right. In this novel, her first sister story since The Other Boleyn Girl, Philippa Gregory explores the lives of two fascinating young women.

Lady Anne (Faye Marsay)

Lady Anne (Faye Marsay)

At the court of Edward IV and his beautiful queen, Elizabeth Woodville, Anne grows from a delightful child to become ever more fearful and desperate when her father makes war on his former friends. Married at age fourteen, she is soon left widowed and fatherless, her mother in sanctuary and her sister married to the enemy.

Lady Isabel (Eleanor Tomlinson)

Lady Isabel (Eleanor Tomlinson)

Anne manages her own escape by marrying Richard, Duke of Gloucester, but her choice will set her on a collision course with the overwhelming power of the royal family and will cost the lives of those she loves most in the world, including her precious only son, Prince Edward. Ultimately, the kingmaker’s daughter will achieve her father’s greatest ambition. (Gregory)

Sir Richard Neville, 16th Earl of Warwick and 6th Earl of Salisbury portrayed by James Frain

Sir Richard Neville, 16th Earl of Warwick and 6th Earl of Salisbury portrayed by James Frain

“The master manipulator who helps King Edward IV attain the throne. As a close confidant of Edward, Lord Warwick uses his powers of persuasion and deception against all the right people to elevate his young protégé to his position atop all of England. When Elizabeth and Edward marry, the power-hungry Warwick loses his grip on the monarchy, leaving his plan to have a say in all things political lying in ruins. Incensed at losing Edward’s ear, Warwick vows to have him replaced in a series of twisted plots designed to bring him back into a position of power. If his daughters meet and marry the right suitors, Warwick could soon find himself back in the political mix.” — STARZ

Lady Warwick (Juliet Aubrey) with her daughters.

Lady Warwick (Juliet Aubrey) with her daughters, episode 4.

Lady Anne (later Queen) is portrayed by Faye Marsay and Lady Isabel (Duchess of Clarence) is portrayed by Eleanor Tomlinson.

Their mother, Lady Anne Beauchamp, 16th Countess of Warwick is portrayed by Juliet Aubrey.

Philippa Gregory's new covers to promote "The White Queen."

Philippa Gregory’s new covers to promote “The White Queen.”

Lady Anne’s titles were as followed:

  • Lady Anne of Warwick (1456-1470)
  • Princess of Wales (1470-1471) as wife to Prince Edward of Lancaster, Prince of Wales.
  • Dowager Princess of Wales (1471-1472) as widow of Prince Edward of Lancaster, Prince of Wales.
  • Duchess of Gloucester (1472-1483) as wife to Richard, Duke of Gloucester.
  • Queen consort of England (1483-1485) as wife to Richard, Duke of Gloucester, who became King Richard III in 1483.
Fan art by tudorqueen6

Fan art by tudorqueen6

Both Anne and Isabel were nieces of Lady Alice FitzHugh (born Neville) (paternal great-grandmother of Queen Katherine Parr). Parr’s grandmother, Elizabeth FitzHugh, was cousin to Lady Anne and Lady Isabel and served as a lady to Queen Anne. The two families, FitzHugh and Neville (Lord Warwick), were close due to the proximity of the two families; they lived near each other and FitzHugh was close to both the Earl of Salisbury and his son, the Earl of Warwick. Queen Anne personally appointed Elizabeth and her mother Lady Alice much like Woodville did with Parr’s maternal great-grandmother Lady Fogge. Both women were part of the coronation of King Richard and Queen Anne and received gifts from the King. However, Elizabeth’s husband (Parr’s grandfather), refused his part in the coronation and returned north where he died shortly after. I often wonder what their family thought when Edward married Woodville even though Lord William Parr rose highly under Edward IV.

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STARZ Official Trailer

The White Queen BBC one commercial – Directors cut from Jamie Childs on Vimeo.

See also —

Starz ‘The White Queen’: Elizabeth Woodville

Starz ‘The White Queen’: Lady Margaret Beaufort

Sources

Links