The Lamentation of a Sinner

Lamentations of a Sinner

by Catherine Parr, Queen of England and Ireland

A publication of the book c.1550 [after the death of Queen Katherine]

A publication of the book c.1550 [after the death of Queen Katherine]

“The Lamentacion of a synner, made by the most vertuous Lady quene Caterine, bewailyng the ignoraunce of her blind life; let foorth & put in print at the inflance befire of the right gracious lady Caterine, Duchesse of Suffolke, and the ernest request of the right honourable Lord William Parre, Marquesse of Northampton.”

Published in 1548 after the death of King Henry VIII, “The Lamentation of a Sinner” was Catherine’s second book which was more extreme than her first publication. She was encouraged by her good friend the Duchess of Suffolk and her brother, the Marquess, to publish.
[Vivat Rex Exhibition, Folger Shakespeare Library, STC 4828]

Family of Queen Katherine: Bess Throckmorton, Lady Raleigh

 

Abbie Cornish as Bess; lady to Elizabeth I in “Elizabeth: The Golden Age” (2007)

16 APRIL 1565: The BIRTH of Elizabeth “Bess” Throckmorton, Lady Raleigh (16 April 1565 – 1647) was a lady-in-waiting to Elizabeth I. Bess is said to have been intelligent, forthright, passionate and courageous. Elizabeth Throckmorton would have been a striking person in any age, including our own. She stands alongside Bess of Hardwick, a contemporary, and Lady Anne Clifford, a little later, as an example of the woman who overcomes all the considerable odds stacked against her.

I envy you Bess. You’re free to have what I can’t have.”
Elizabeth: The Golden Age (2007)

Family History at Court

Elizabeth’s family had deep rooted connections at court that started centuries before her birth. Elizabeth was the youngest child and only daughter of Sir Nicholas Throckmorton and his wife Anne Carew. Nicholas was the son of Sir George of Coughton Court and Katherine Vaux. The Throckmortons had been at court since the early reign of King Henry IV. Elizabeth’s great-great-grandfather, Sir Thomas Throckmorton, was High Sheriff of Warwick and Leicester counties during Henry’s reign. Nicholas’s mother, Katherine, just happened to be the uterine sister of Sir Thomas Parr, father of the future Queen Katherine. A uterine sibling meant that Sir Thomas and Lady Throckmorton shared the same mother, Elizabeth FitzHugh. Elizabeth was a daughter of Henry, Lord FitzHugh and Lady Alice [born Neville]. As the daughter of a Neville, there is no need to explain the Neville connections to the crown. I will simply note that they were descended from the Beaufort children of Prince John of Gaunt, 1st Duke of Lancaster and his third wife, Katherine Swynford. Elizabeth FitzHugh was at court as Lady Parr until her husband died in 1483. Sir William Parr was a staunch supporter of the House of York and had been a close confidant of King Edward IV. However, once the Duke of Gloucester took the throne as Richard III, Parr declined any involvement in Richard’s coronation and reign. Lord Parr headed north where he died shortly after. His widow, Elizabeth, would marry again sometime before or shortly after Henry Tudor took the throne as King Henry VII. The new husband was a staunch Lancastrian. Nicholas Vaux’s mother had served Margaret of Anjou. Nicholas was a protege of Lady Margaret Beaufort, mother of the new King. And this, my friends, was how it was played at court. Alignment with the right people and monarch on the throne made life comfortable for everyone involved. Elizabeth, now Lady Vaux, had three daughters by her second husband, Nicholas [later Baron Vaux of Harrowden].

Family

Elizabeth Throckmorton’s father, Lord Nicholas, later a diplomat, served in the household of Henry Fitzroy, Duke of Richmond as a page. The position is thought to have been attained by his uncle, Sir William Parr [later Baron Parr of Horton], in 1532. Sir William had been appointed Chamberlain of the household of the illegitimate son of King Henry VIII. Nicholas’s cousin, also named William, was present in Richmond’s household as a companion. William learned and played alongside Richmond and another companion, the Earl of Surrey [Henry Howard]. Nicholas ventured with Fitzroy as he traveled to France to meet King Francis. He stayed on for about a year and became somewhat fluent in French. After Fitzroy’s death in 1536, Nicholas’s options were somewhat limited. His mother, Katherine, used her influence as an aunt to obtain him a position in the household of his cousin, Lord William Parr [created Earl of Essex in December 1543]. In July 1543, his cousin Katherine Parr, was married to King Henry VIII as his sixth queen. By 1544-47 or 8, Nicholas had been appointed to the Queen’s household as a sewer. Nicholas would go on to serve under the rest of the Tudor monarchs; Edward VI, Mary I, and Elizabeth I.

throckmorton_nicholas_anne

Nicholas Throckmorton and his wife, Anne Carew.

Elizabeth’s mother, Anne Carew, was the daughter of Sir Nicholas Carew and Elizabeth Bryan. Lady Bryan married Sir Thomas Bryan and was governess to all three of Henry VIII’s children at one point in time. Lady Bryan was the daughter of Elizabeth Tilney by her first marriage to Sir Humphrey Bourchier. By her mother’s second marriage to Thomas Howard, Earl of Surrey [later Duke of Norfolk], Lady Bryan was an aunt of Queen Anne Boleyn and Queen Katherine Howard. Anne Carew’s father, Nicholas, was a grandson of Eleanor Hoo. Eleanor was sister to Sir Thomas Boleyn’s [father of Queen Anne Boleyn] grandmother, Anne Hoo. Courtiers, by this time, had started to close the gap between the affinity to each other, meaning most of the court was related to each other. One way or another.

Life

Elizabeth was only six when her father died. In 1584, she went to court and became a lady-in-waiting to the Queen. She eventually became a gentlewoman of the Privy Chamber (she dressed and undressed Elizabeth).

Sir Walter Raleigh before Queen Elizabeth

Sir Walter Raleigh was in favour with Queen Elizabeth until he fell in love with the daughter of Sir Nicholas Throckmorton. Look AND Learn History Picture Library.

In 1590, she caught the eye of Sir Walter Raleigh, a rising royal favorite. In November 1591, the couple secretly wed after Elizabeth discovered she was pregnant. For months, Elizabeth kept her secret from the queen and withdrew to her brother’s house in London, where she gave birth to a son in March 1592. The queen came to discover what had happened and both Elizabeth and Raleigh were thrown in to The Tower of London.

In December 1592, after Elizabeth had lost her child, the two were released, but Raleigh was refused to be seen by the queen for a year and the queen never forgave Lady Raleigh. In 1601, an attempt to restore her at court failed. Lady Raleigh spent most of her time at Sherborne, their country home in Dorset. In 1593, Lady Raleigh gave birth to another son named Walter at Sherborne. Lady Raleigh did come and go between London, but much of the 1590s saw husband and wife separated from each other.

Sir Walter Raleigh lead an exhibition to the Orinoco basin to South America in 1595; while in 1596, Raleigh was made a leader of the Cadiz Raid.

After the ascension of James I in 1603, Raleigh’s enemies at court convinced King James that he was a threat and Raleigh was imprisoned again in the Tower.

In 1605, Lady Raleigh gave birth to another son named Carew either in or around the Tower. In 1609, the King confiscated Sherborne and Lady Raleigh was given a small pension to live off of.

Lady Raleigh lived with her husband  until 1610.  Despite her many appeals, her husband was executed on 29 October 1618. Lady Raleigh ended up keeping her husband’s head which she had embalmed. It is said that she carried the head with her until her own death. Whether that’s true, who knows!

Bess would go on to rebuild her life after the death of her husband. She was perused by creditors for the rest of her life but in time came to clear her family’s name. She earned back her fortunes and prospects and ended up a rich widow in time. Bess became good friend to John Donne and Ben Jonson [the play write], and mother of an MP.

MEDIA

Elizabeth “Bess” Throckmorton portrayals through out the years in film.

  • The Virgin Queen (1955): Sir Walter Raleigh gains audience with Queen Elizabeth I seeking her support – and money for ships to sail – but soon finds himself caught between the Queen’s desire for him and his love for Beth Throgmorton (Joan Collins). Ben Nye was makeup artist.
  • Elizabeth: The Golden Age (2007): This sequel to Elizabeth deals with Elizabeth’s handling of the Spanish Armada, and the problem of Mary Queen of Scots, while infatuated with sir Walter Raleigh. The Armada is dealt with in short order, Mary with much anguish but thanks to Bess Throckmorton (Abbie Cornish) Raleigh slips from her grasp. Jenny Shircore was hair & makeup designer.
  • The Simpsons (2009): The plot of this one was basically The Simpsons’ take on “Elizabeth: The Golden Age” with Selma as Elizabeth I, Homer as Sir Walter Raleigh, and Marge as Bess Throckmorton. (Eakins)

FURTHER READING

"My Just Desire: The Life of Bess Raleigh, Wife to Sir Walter"

My Just Desire: The Life of Bess Raleigh, Wife to Sir Walter” by Anna Beer.

Sources

Book of Common Prayer: The Prayer for the Sovereign and Katherine Parr

First published in 1545, "Prayers or Meditations" by Queen Katherine Parr became so popular that 19 new editions were published by 1595 (reign of Elizabeth I). This edition was published in 1546 and bound by a cover made by the Nuns of Little Gedding. Located at Sudeley Castle, Winchcombe.

First published in 1545, “Prayers or Meditations” by Queen Katherine Parr became so popular that 19 new editions were published by 1595 (reign of Elizabeth I). This edition was published in 1546 and bound by a cover made by the Nuns of Little Gedding. Located at Sudeley Castle, Winchcombe. © Meg Mcgath (permission needed to distribute)

The Prayer for the Sovereign History–The order of Morning and Evening Prayer ended with the third collect until the revision after the Savoy Conference in 1662. The Prayer for the Sovereign is almost entirely taken from the Sacramentary of Gregory the Great. It was first translated by Queen Katherine Parr and published in a book called “Prayers and Meditations” collected out of Holy Works in 1545.

Queen Elizabeth I Prayer Book, c.1559

It was observed in the reign of Elizabeth that the queen could not be prayed for except on days when the Litany or Communion Office was appointed to be read and hence this prayer was inserted to meet the defect of the daily services.

References

Queen Katherine Parr: The Coronet Brooch

Katherine Parr attributed to Master John c. 1544

Katherine Parr attributed to Master John c. 1544

In 1965, the National Portrait Gallery bought a portrait which was labeled “Katherine Parr.” In the late 60s however, one man came to the conclusion that it was not Parr, but “Lady Jane Grey,” the nine day queen who followed King Henry VIII’s only legitimate son, King Edward VI. Most people don’t even realize that the painting came in as “Katherine Parr.” In fact, unless you do thorough research you won’t even know that the portrait was originally at Glendon Hall, the seat of the Lane family. Glendon Hall once belonged to Sir Ralph Lane who married Hon. Maud Parr, a cousin and lady-in-waiting to Queen Katherine Parr. The portrait came to be generally accepted as Lady Jane for decades. The re-naming to “Lady Jane” was based on what you ask?

Seventy-two years after Kateryn Parr’s death
in September 1548, the bookseller Henry Holland published a
volume of plates purporting to be portraits of famous people, entitled
Henwologia Anglica. Holland asserts in the preface that he had
taken great pains to establish the identities of those in the portraits.
One of the plates shows a woman called ‘Iana Graya’ (Fig.28),
wearing the same crown-headed brooch as the sitter in our portrait;
a note on the plate indicates that the engraving was copied
‘from Mr James Harrison’s Holbein’. It was on the basis of the similarity
of the two brooches that Strong re-identified the panel portrait
as Jane Grey. However, Holland’s information in 1620 may
well have been incorrect, and nothing is known of Mr Harrison or
his ‘Holbein’ (which, on the evidence of the engraving would
appear to have been a variant of NPG 4451, quite close to the one
at Seaton Delaval). And the evidence of the jewellery indicates that
the crown-headed brooch did belong to Kateryn Parr and is most
unlikely to have passed through the hands of Jane Grey. (James)

Jane_Grey_KParr

Following research published in 1996 the identity of the sitter has been reassessed and the traditional identification of the sitter as “Katherine Parr” has been re-confirmed (James, 1996). Several of the jewels worn in the portrait can be traced to certain lists. James used several different inventories of jewels belonging to queens Katherine Howard (inventory as of 1542), ‘The Quene’s Jewells’ (inventory as of 1550), and a third undated list entitled “Inventory of jewels — parcel of the Queen’s Jewels and other stuff which came from the late Admiral’s [Thomas Seymour] house of Sudeley.” The 1542 list is of particular interest due to the fact that after Howard was arrested, her jewels were handed over to her lady-in-waiting, Lady Anne Herbert (sister of the future queen Katherine Parr). The list of 1550 was ordered by the Lord Protector as part of a comprehensive inventory of the ‘goods of Henry VIII.’ This list was entitled “The Quene’s Jewells.” Each list was looked at by James. The coronet shaped brooch was not found in the list for 1542. However, a similar one was described in the 1550 list and that of Parr’s possessions. The brooch may be identified with one described in the 1550 jewel list as,

Detail of the Coronet Brooch of Katherine Parr, NPG; © Susan James (black&white detail) © National Portrait Gallery (color detail)

Detail of the Coronet Brooch of Katherine Parr, NPG; © Susan James (black&white detail) © National Portrait Gallery (color detail)

‘one ouche or flower
with a crown containing two diamonds, one ruby, one emerald; the
crown being garnished with diamonds, [andl three pearls pendant’
(an ‘ouche’ or ‘flower’ was a brooch worn pinned to the bodice).

The inheritors of the Coronet Brooch, Elizabeth I and Anne of Denmark.

The inheritors of the Coronet Brooch, Elizabeth I and Anne of Denmark.

As for the brooch and what happened to it — it is believed the brooch was uniquely made for Katherine by her favorite goldsmith, Peter Richardson. The brooch, with the rest of the royal jewelery, was passed to Elizabeth I. The brooch appears in her list of 1587 listed as

‘a flower with a crown, garnished with xv small diamonds and in the midst of the flower is a ruby with two diamonds and one emerald, and the three pearls pendant.’

At Elizabeth’s death (1603), the brooch passed to James I’s queen, Anne of Denmark and is also described in her inventory of 1606 as

‘a jewell being a crownet of gold garnished with small diamonds upon a circle, having had one emerald, one rock ruby and two other triangle stones nowe wanting in collets, with three pearles pendant, of ancient making, in weight 2 oz 1dwt 6grs.’

A working copy of of the documentation kept in the jewel house describes the fate of the brooch. By 1606, the the brooch was missing two triangular cut diamonds. It was ordered to be

‘delivered to Mr. Nicasius Russell, Jeweler, the 8th September 1609 by her Majesties’ direction, for the making of Gold plate; the stones by number, the Gold by weight.’

The sixty-six year history of the brooch can be traced through the jewel inventories of three queens, Katherine Parr, Elizabeth I, and Anne of Denmark. Now, if only we could find a portrait of Elizabeth actually wearing the brooch!

Sources

  • Susan E. James. “Lady Jane Grey or Queen Kateryn Parr?” The Burlington Magazine, Vol. 138, No. 1114 (Jan., 1996), pp. 20-24.

Family of Queen Katherine: Margaret Fiennes, 11th Baroness Dacre

Margaret Fiennes, 11th Lady Dacre with her husband Sampson Lennard.

Margaret Fiennes, 11th Lady Dacre with her husband Sampson Lennard from Hon. Thomas Barrett-Lennard’s “An Account of the Families of Lennard and Barrett,” 1908.

Margaret Fiennes (or Fynes), 11th Baroness Dacre of the South (1541 – 16 March 1612) was a suo jure peeress having been created Baroness Dacre by King James I of England in 1604. She was the daughter of Thomas Fiennes, 9th Baron Dacre who was executed for murder in the year of her birth. His title and lands, upon his death, were forfeited to the crown. The title would not return to the family until her brother was restored in 1558 by Elizabeth I.

Thomas Fiennes, Baron Dacre, father to Lady Dacre.

Thomas Fiennes, 9th Baron Dacre, father to Lady Dacre.

Family

Mary Neville and her son Gregory Fiennes, 10th Baron Dacre by Hans Eworth c. 1559

Mary Neville and her son Gregory Fiennes, 10th Baron Dacre by Hans Eworth c. 1559

Lady Dacre was born in 1541, the youngest child and only daughter of Thomas Fiennes, 9th Baron Dacre and Mary Nevill, daughter of the 5th Baron Bergavenny. In the year of her birth, her father was hanged for the murder of a gamekeeper by the order of King Henry VIII, and his lands and title were forfeited to the crown. Lady Dacre’s brother, Gregory Fiennes, would become the 10th Baron Dacre upon the ascension of Elizabeth I in 1558. The 10th Baron married to Anne Sackville, cousin to Queen Anne Boleyn; they had one daughter who died young. Upon his death, the barony went into abeyance until it was revived for Margaret under James I of England.

Coat of arms of the 9th Baron Dacre of the South from his tomb in Chelsea Church, London.

Coat of arms of Gregory Fiennes, 10th Baron Dacre of the South from his tomb in Chelsea Church, London.

Lady Dacre was related to three of Henry VIII’s six queens. Her paternal great-grandparents were Thomas Fiennes, 8th Baron Dacre and Anne Bourchier. Anne Bourchier was the uterine half-sister of Lady Elizabeth Howard (mother of Queen Anne Boleyn) and Lord Edmund Howard (father of Queen Katherine Howard). Lady Dacre’s father, the cousin of Queen Katherine Howard, was executed in 1541 despite her position as queen.

The Parr’s shared several connections. Firstly, Fiennes’s great-grandfather, Thomas, 8th Baron Dacre was the first cousin of Sir Thomas Parr of Kendal, father of Queen Katherine Parr. Their mothers, Alice Fiennes (FitzHugh) and Elizabeth Parr/Vaux (FitzHugh) were sisters; both daughters of Sir Henry FitzHugh, 5th Baron FitzHugh and Lady Alice Neville (sister of Warwick, the Kingmaker). The Parr’s also shared the Woodville connection of Mary Neville, Lady Dacre’s great-grandmother, Katherine Woodville, Duchess of Buckingham.

Anne Boleyn (wife no. 2), Katherine Howard (wife no. 5), and Katherine Parr (wife no. 6) were all cousins to Lady Dacre.

Anne Boleyn (wife no. 2), Katherine Howard (wife no. 5), and Katherine Parr (wife no. 6) were all cousins to Lady Dacre.

Marriage and issue

On 10 November 1564 at the age of 23, Margaret married Sampson Lennard (died 1615), who came from a family of landed gentry. They resided at Chevening, Kent. He was a Member of Parliament for various constituencies, and from 1590 to 1591, he held the post of High Sheriff of Kent. Lady Dacre and her husband had four sons and six daughters:[1]

  • John Lennard, born 1567; buried 10 Oct 1575.
  • Sir Henry Lennard, 12th Baron Dacre (25 March 1570 – 8 August 1616); Born in Chevening, Kent, England; married Chrysogona Baker, by whom he had issue.[1]
CHRYSOGNA BAKER, Lady Dacre, aged six (d.1616) who  married the 12th Lord Dacre (1589); a portrait (English 1579) by an unknown artist at The Vyne.

CHRYSOGNA BAKER, Lady Dacre, aged six (d.1616) who married the 12th Lord Dacre (1589); a portrait (English 1579) by an unknown artist at The Vyne. ©National Trust Images/Derrick E. Witty

  • Anne Lennard, born 1 Aug 1572 Chevening, Kent; married Herbert Morley.
  • Elizabeth Lennard, born 5 Jun 1580; buried 20 Oct 1581.
  • Elizabeth Lennard, born 26 Nov 1581; married Sir Francis Barnham, by whom she had issue.
  • Gregory “George” Lennard, born 25 Oct 1573Chevening, Kent; married in 1614 to Maud Llewellyn. Died 1620, without issue.[1]
  • Mary Lennard, born 22 Oct 1574 Chevening, Kent; married Sir Ralph Bosville.
  • Thomas Lennard, died 1638 without issue (d.s.p).[1] He is NOT the ancestor to the “Leonards” of Taunton and Bridgewater in America.[1][2]
  • Margaret Lennard, born 28 Sep 1578; married Sir Thomas Waller, by whom she had issue, including Parliamentarian soldier Sir William Waller.
  • Frances Lennard, born 28 Jul 1583; married Sir Robert More
  • John Lennard,[1] born 11 Oct 1584; died bef. 1615.

Baroness Dacre

The title of Baron Dacre had been restored to Margaret’s brother Gregory by Queen Elizabeth I shortly after her ascension to the throne; however upon his death in 1594, it had once again lapsed in abeyance. On 8 December 1604,[2] King James I created her suo jure Baroness Dacre, and she held this title until her death on 16 March 1612. She was succeeded by her eldest son, Henry.

References

  1. Thomas Barrett-Lennard. “An account of the families of Lennard and Barrett compiled largely from original documents by Thomas Barrett-Lennard,” Spottiswoode and Co. Ltd, 1908. pg 214, 240. Open Library
  2. Wm. R. Deane. “A genealogical memoir of the Leonard family containing a full account of the first three generations of the family of James Leonard, who was an early settler of Taunton, Ms., with incidental notices of later descendants,” Boston: Office of the New England historic-genealogical register, 1851. Open Library

12 FEBRUARY: The Throckmorton Brothers

Coughton Court, Warwickshire, England

Coughton Court, Warwickshire, England

The Throckmorton family of Coughton Court in Warwickshire is one of the oldest Catholic families in England. The Throckmortons were prominent in the reigns of Henry VIII, Edward VI, Mary I, and Elizabeth I (Tudor). Sir George Throckmorton was a favorite of King Henry VIII during his early years as King. He owed his position probably due to his brother-in-law, Sir Thomas Parr, comptroller of the King’s household and loyal friend of the King. However, his marriage to the Lancastrian Vaux family may have had something to do it. Throckmorton’s wife, Lady Katherine (Vaux), was the younger half-sister of Lord Parr, both being children from one of Lady Elizabeth’s (born FitzHugh) two marriages; Lord Parr and Lord Vaux. The Vaux family was loyal to Henry VI and especially Margaret of Anjou when she was exiled to France. George’s father-in-law, Nicholas, became a protege and favorite of Lady Margaret Beaufort, mother of Henry VII Tudor. As the stepson of Lord Vaux (Lord William Parr died shortly after the coronation of Richard III in 1483), Thomas Parr is noted to have been a possible pupil in the household of Henry VIII’s grandmother as a young lad.

The connection to the Parr family made Throckmorton an uncle by marriage to queen consort Katherine Parr, the Marquess of Northampton, and Lady Anne Herbert (wife of William, 1st Earl of Pembroke). The Parrs also shared common ancestry with the Throckmorton’s through their maternal great-grandmother Matilda Throckmorton (Lady Green), daughter of Sir John Throckmorton and Eleanor de la Spiney (great-grandparents of Sir George). George Throckmorton, however, would become involved in a scandal to keep the King from divorcing his first wife, Queen Katherine of Aragon, to marry her lady-in-waiting, Anne Boleyn. Throckmorton didn’t approve and supported the queen. Most members, including Sir Thomas Parr’s widow and his cousin, Lady Maud Parr (Green), stuck by Katherine of Aragon until her household was dissolved.

12 FEBRUARY 1570: THE DEATH of Sir Nicholas Throckmorton

Sir Nicholas Throckmorton by Unknown Anglo-Netherlandish artist. © National Portrait Gallery, London

Sir Nicholas Throckmorton by Unknown Anglo-Netherlandish artist. © National Portrait Gallery, London

A cousin of Katherine Parr, Throckmorton was a staunch Protestant, and a supporter of Lady Jane Grey, though he served as a Member of Parliament under all the Tudor monarchs including the Catholic queen, Mary I. His importance during the reign of Elizabeth I was mainly as an ambassador to France and to Scotland. Throckmorton was the son of Katherine’s paternal aunt, Hon. Katherine Vaux and cousin Sir Robert Throckmorton of Coughton Court (a supporter of Queen Katherine of Aragon). Throckmorton was a page in the household of Henry Fitzroy, Duke of Richmond by 1532-6; his cousin, William Parr (brother of Queen Katherine) had been raised and educated with Fitzroy and the Earl of Surrey and his maternal uncle, also named William Parr, was head of the household there. Throckmorton then became a servant in the household of his cousin, William, Baron Parr by 1543. Throckmorton, along with his brother Clement, would go on to serve in the household of their cousin Queen Katherine Parr by 1544-7 or 8. After the reign of Henry VIII, Throckmorton continued to serve at court. Upon the death of the Dowager Queen, he returned to the household of his cousin, the 1st Marquess of Northampton (William Parr).

12 FEBRUARY 1581: THE DEATH of Sir Robert Throckmorton

Robert Throckmorton by British School (c) National Trust, Coughton Court; Supplied by The Public Catalogue Foundation

Robert Throckmorton by British School (c) National Trust, Coughton Court; Supplied by The Public Catalogue Foundation

Sir Robert Throckmorton (c.1513-12 February 1581) was the eldest son of Sir George Throckmorton of Coughton Court and Hon. Katherine Vaux. As such, Robert was the elder brother of Nicholas, above. Throckmorton, like his father, was Catholic. His role in the succession crisis of Queen Mary is not clear, but it seems that he backed Mary’s claim because of the positions he was given. He was knighted in 1553 and appointed Constable of Warwick Castle among other positions. His Catholicism explains his disappearance from the Commons in the reign of Elizabeth I, although the most Catholic of his brothers, Anthony Throckmorton, was to sit in the Parliament of 1563. Judged an ‘adversary of true religion’ in 1564, Throckmorton remained active in Warwickshire until his refusal to subscribe to the Act of Uniformity led to his removal from the commission of the peace. (A. L. Rowse) Throckmorton married twice and had issue by both wives who would continue his legacy at Coughton Court.

References

Which Queen Katherine: The Lambeth Portrait

It has been identified as Queen Katherine Parr for centuries. Thanks to modern technology used to examine the portrait by the NPG in London, it has been concluded that the portrait is indeed that of wife no.1, Queen Katherine of Aragon.

Disputed Lambeth Palace portrait; Katherine Parr or Katherine of Aragon

Lambeth Palace portrait; now identified as Queen Katherine of Aragon, wife no. 1

The young woman in the picture is blessed with good features, an oval-shaped face with a firm jawline and a clear complexion. But it is the overall impression of intelligence and intensity that is so compelling. There is an inner strength in the face that commands attention. The woman looks confident. This is a woman full of grace and maturity. The portrait is carefully composed. She is very much the aristocratic lady, expensively dressed and already demonstrating a love of jewels and fashion that would develop over the years. Her clothing is red and gold, with the hood perfectly matching the gown. At the period of time the portrait was painted the Telegraph quotes,

Academics working on the ‘Making Art in Tudor Britain’ project had noticed the facial features and costume worn by the woman were far more similar to works depicting the first Catherine, and dated from the 1520s or 30s. (Furness)

The 1520s — Katherine’s mother was still negotiating for a marriage. In 1529, she was married to Sir Edward Borough, son of Sir Thomas, 3rd Baron Borough of Gainsborough (Lord Chamberlain to Queen Anne Boleyn). The status wouldn’t have made her that important enough to paint. However, the 3rd Barons wife, Agnes Tyrwhitt had her portrait done by Holbein. Sir Thomas, however, had to pull his connections just to get his wife, Lady Borough, painted by Holbein. (Porter pg 55) By 1533, Katherine was a widow. Her next marriage to Lord Latimer took place in 1534 and it lasted until 1543. The hood was most likely outdated by the 1530s, but Katherine had not been living at court so perhaps she did not know the current fashions. Her home from 1529-1534 was spent in the Northern part of England; Lincolnshire. After her marriage to Sir John Neville, 3rd Lord Latimer her home was Snape Castle, in North Yorkshire. Her mother and sister would have been at court. Her mother served Katherine of Aragon until her household was dissolved. Her sister, Anne, would continue to serve under Queen Anne Boleyn. The two sisters were close so perhaps Anne wrote about the current fashions at court; Katherine was to become a fashionable queen so her interest must have developed early on. Therefore it is contradictory as to what Katherine actually wore.

Lambeth Portrait of Katherine of Aragon.

Lambeth Portrait of Katherine of Aragon.

Interestingly, although the gown has fashionable slashed undersleeves and a gauzy partlet, covering the throat and chest, the coifed gable hood that the woman is wearing was a more conservative choice. Anne Boleyn supposedly made the French hood popular, but the hood had been introduced to England well before she returned from France in 1522. The French hood showed more hair, so therefore in some circles it was still considered unseemly. Jane Seymour favoured the gabled hood, though this may have been less a personal preference than a conscious decision to differentiate herself from her more flighty, disgraced predecessor. (Porter)

In Katherine Parr’s case, she had married a man whose overall outlook was conservative and it is possible that her head-wear reflected his taste. Her jewels, three ropes of pearls and a large, round gold, pearl and ruby brooch, are also a sign of wealth without ostentation. In this portrait, Katherine is very much the elegant nobleman’s wife. (Porter on the portrait being Katherine as Lady Latimer)

The two paintings will now be hung together for the first time in the National Portrait Gallery, nearly 500 years after they were painted Photo: National Portrait Gallery

The two paintings will now be hung together for the first time in the National Portrait Gallery, nearly 500 years after they were painted. Photo: National Portrait Gallery

Technical analysis of the paint and “rare” engraved frame by the NPG (National Portrait Gallery in London) are believed to show it was painted at the same time as a portrait of Henry VIII, with a similar style and scale. (Furness) (See above)

However, there is still more than a few portraits with Henry and his other wives that still use this depiction as Katherine Parr. For example, the only miniature in the Royal Collection (from Queen Victoria’s miniature collection) that depicts Queen Katherine Parr is this same depiction. Hopefully they will not change the description now as there is no other depiction of Parr and all six wives are represented.

Katherine Parr or Katherine of Aragon

‘Portrait of a lady called Katherine Parr’, by Henry Pierce Bone, 1844. Enamel; 4.8 x 3.9cm.The miniature was purchased by Queen Victoria in 1844, to add to her growing collection of portraits of sixteenth-century figures. It is still part of the Royal Collection.
The Earliest Portrait of Katherine Parr or Katherine of Aragon?

On the back of the portrait is the following inscription:

‘Katharine Parr / London Febr 1844 / Painted by Henry Pier. / Bone Enamel Painter / to Her Majesty & H.R.H. / Prince Albert &c. From / the Original in / Lambeth Palace.’

Detail of the Miniature.

Detail of the Miniature.

In early 2011, after inquiring about the portrait, I was told (by email from the Lambeth Palace Library) that this had been re-identified as Katherine of Aragon. Lambeth Palace’s site had this image as Katherine Parr; the image was uploaded in 2008. The re-identification took place in 2009, but was not officially announced or re-identified until recently.

The portrait you are inquiring about used to be referred to as the “Unknown Woman” thought to be Katherine Parr.  However, in 2009 we had the National Portrait Gallery here to look at another painting in our possession.  As we walked by the portrait a period costume expert, who so happened to be among them, took great notice in it and declared that the clothes were far too early to be Katherine Parr.  The National Portrait Gallery took it away with them to research further.  The conclusion was that it was in fact a rare survival of a Tudor portrait of Catherine of Aragon, not Katherine Parr as originally thought.  You can imagine it was rather exciting for all concerned.

Obviously they had not made the announcement official until now — due to years of research at the NPG. But as of 24 January 2013, this is now identified as Queen Katherine of Aragon. For details on the examination process and the conservation of the portrait — see links.

Links

References

20 JANUARY 1569: THE DEATH of Myles Coverdale

Stained glass at St. Mary's, Sudeley Castle (where Queen Catherine is buried). The window is shared with Lady Jane Grey and John Brydges, 1st Baron Chandos.

Stained glass at St. Mary’s, Sudeley Castle (where Queen Catherine is buried). The window depicts Myles Coverdale (L) with Lady Jane Grey (C) and John Brydges, 1st Baron Chandos (R).

20 JANUARY 1569: THE DEATH of Myles Coverdale, Bishop of Exeter. Coverdale assisted William Tyndale in the complete version of the Bible, printed probably at Hamburgh in 1535. After the death of King Henry, Coverdale became the Dowager Queen’s personal almoner. He assisted her in her endeavours to popularise Erasmus’ works. He preached her funeral sermon in September 1548. Coverdale died in London and was buried in the church of St. Bartholomew. When that church was demolished in 1840 to make way for the new Royal Exchange, his remains were moved to St. Magnus.

Queen Katherine Parr: “The Jersey Portrait”

The portrait known as “The Jersey Portrait,” was once thought to depict Lady Jane Grey. Through thorough research however, the conclusion is that this is a portrait of Queen Katherine Parr.

“Parr is known to have commissioned numerous portraits of herself while married to Henry VIII, and this portrait was no doubt one of the many produced and given to friends and family.” (Susan James)

From Dr. Edwards, author of the site “Some Grey Matter“: “The Earl of Jersey informed me via email on 12 November 2012 that an unnamed friend of his mother had previously conducted an unpublished study of the painting. That friend concluded independently that the sitter was Katherine Parr. The friend’s findings were reviewed by experts at Sotheby’s auction house, and Sotheby’s “concurred” with the findings. None of this was known to me prior to 12 November, and neither the friend nor Sotheby’s have published that independent report.”

Little is known about the painting. It is oil on wood panel, consistent with sixteenth-century practices. It is about three-quarter life-size, according to the current Earl of Jersey, measuring 34 inches high by 24 inches wide. The frame bears a label of unknown age and origin identifying the sitter as Queen Mary. No detailed provenance information has ever been published, so that it is not possible to know when or how it came into the Jersey collection at Osterley House. It is worth noting that the original Tudor-era Osterley House had been built in the 1570s by Sir Thomas Gresham, who held Lady Jane’s sister Lady Mary Keyes [Grey] in custody from 1569 to 1572. The Osterley House built by Gresham fell into ruin in the eighteenth century, however, making it unlikely that the portrait originated there. Osterley was acquired and rebuilt in the 1760s by Sir Francis Child, ancestor of the 9th Earl of Jersey. The painting almost certainly entered the Jersey collection after 1760 as decoration for the new house. The painting survives and is now owned by The Earldom of Jersey Trust and held at Radier Manor in the Isle of Jersey. (Edwards)

For more information on the portrait: “Some Grey Matter: THE JERSEY PORTRAIT

Family of Queen Katherine: Elizabeth Seymour, Lady Cromwell

Unknown lady once thought to be Queen Katherine Howard; possibly Elizabeth Seymour, sister of Queen Jane.

Elizabeth Seymour (c. 1511 – between 13 April 1562 and 9 June 1563)[1] was the daughter of Sir John Seymour and Margery Wentworth. She is best known as the sister of Queen Jane Seymour, third wife to King Henry VIII and aunt to Edward VI. She was also wife to Gregory Cromwell, son of Sir Thomas Cromwell, Earl of Essex. Upon the Dowager Queen Katherine Parr’s fourth marriage to Lord Seymour, Elizabeth became the Dowager Queen’s sister-in-law.

Biography

One of ten children,[7] born at Wulfhall, Wiltshire, she was the sister of Jane Seymour, third queen consort of King Henry VIII, and aunt of King Edward VI. Two of Elizabeth’s brothers, Thomas Seymour, 1st Baron Seymour of Sudeley and Edward Seymour, 1st Duke of Somerset, were executed for treason during the reign of Edward VI. Like Katherine Parr, the Seymours’ descended from King Edward III. Wives 1, 3, and 6 were the only descendants of King Edward. The Seymours’ descended through their mother, Margery; through King Edward’s second surviving son, Lionel of Antwerp, Duke of Clarence. Katherine Parr and Katherine of Aragon were descendants of Lionel’s younger brother and the third surviving son of Edward III, John of Gaunt, 1st Duke of Lancaster.

Jane and Elizabeth served as maids of honour to Henry’s second wife, Anne Boleyn. Apparently Elizabeth was found of Queen Anne and was an attendant at the birth of Princess Elizabeth. Coincidentally, Queen Anne was their second cousin by their great-grandmother Elizabeth Cheney. By Cheney’s first marriage to Sir Frederick Tilney she was the mother of Elizabeth, Lady Surrey who was grandmother to both Queen Anne Boleyn and Katherine Howard. By her second marriage she was mother to Anne, Lady Wentworth, grandmother of Elizabeth and her siblings.

When King Henry began to tire of Queen Anne, Elizabeth was some what disappointed but delighted that the King had taken interest in her sister Jane.

The Seymour’s gained wealth and power as Henry’s attentions turned to Jane.

On 30 May 1536, eleven days after Anne’s execution, Henry and Jane were married. Elizabeth Seymour was chief lady-in-waiting to Jane, who died twelve days after giving birth to Edward VI in 1537.

Elizabeth was part of the official welcoming party for Anne of Cleves, when she arrived from Germany. After Henry and Anne’s marriage was annulled, Elizabeth became lady-in-waiting to his fifth wife, Catherine Howard. With Thomas Cromwell’s execution in 1540 for treason and heresy, there was a brief decline in his family’s fortunes. Elizabeth served as lady-in-waiting to Henry’s sixth wife, Katherine Parr. After Henry VIII’s death in 1547, Elizabeth’s brother Thomas secretly married Katherine Parr, who died a few days after giving birth to her only child Mary Seymour, in September 1548.

In 1551, when her brother Lord Somerset and his wife were arrested, Elizabeth was given charge of their daughters. After the death of Edward, the Seymour’s were somewhat shunned at court.

Marriage and issue

Elizabeth’s first husband was Sir Anthony Ughtred (or Oughtred), Governor of Jersey who died on 20 December 1534.[1][2] They were married circa 1530 at of Wolf Hall, Savernake, Wiltshire, England. The marriage was childless.

In August 1537, Elizabeth had married Gregory Cromwell, 1st Baron Cromwell, son of Henry’s chief minister, Thomas Cromwell, 1st Earl of Essex, at Wulfhall, Savernake, Wiltshire.[2] They had five children.

  • Henry Cromwell, 2nd Baron Cromwell, succeeded his father. Before 1560, he married to Lady Mary Paulet, daughter of Sir John Paulet, 2nd Marquess of Winchester and Elizabeth Willoughby, daughter of Sir Robert Willoughby, 2nd Lord Willoughby de Broke and Lady Dorothy Grey [granddaughter of Queen Elizabeth Woodville and Lady Katherine Neville. Lady Bonville]. They had two sons and one daughter.[1]
  • Katherine Cromwell, married Sir John Strode of Parnham.
  • Frances Cromwell, who married Richard Strode, Esq.
  • Thomas Cromwell, Esq.
  • Edward Cromwell

She became a widow again upon the death of Gregory Cromwell in 1551. Around 1 April 1554, she married as his second wife John Paulet, Lord St. John [later 2nd Marquess of Winchester]. Paulet was the father of Elizabeth’s daughter-in-law, Lady Mary. Elizabeth Seymour died at Launde, Leicestershire between 13 April 1562 and 9 June 1563 at Launde, Leicestershire, England.[2] She was buried before 9 June 1563 in Basing, Hampshire. According to the Complete Peerage, the inscription on the wall at her vault at Basing read, “Hic jacet Dna Cromwell, quondam conjux Johis, Marchionis Winton.” As Paulet did not attain the title of Marquess of Winchester until after Elizabeth’s death, Elizabeth was known as “Lady Cromwell”; thus her vault reads “Lady Cromwell.”

Portrait

Queen Jane Seymour [L] and possibly her sister Elizabeth as Dowager Lady Cromwell [R]

Victorian scholars had identified a portrait (shown above) by Hans Holbein the Younger as a likeness of Katherine Howard. Historian Antonia Fraser has argued that this image is far more likely to be Elizabeth Seymour. The sitter wears widow’s apparel. Katherine Howard would have had no reason to be dressed as a widow; but Elizabeth Seymour would, as her first husband had died in 1534. The portrait has long been associated with King Henry’s tragic young Queen and various people and places contest it to be a picture of Katherine Howard. The gift shop at the Tower of London  and many other places still depict the picture as being Katherine Howard on souvenirs. The National Portrait Gallery, which exhibits the painting at Montacute House in Somerset, remains undecided about the sitter’s identity.[3] The National Portrait Gallery who has professional curators is still examining the portrait.

According to their site:

Unknown woman, formerly known as Catherine Howard
after Hans Holbein the Younger
late 17th century
NPG 1119

This portrait of an unknown woman, formerly known as Catherine Howard (NPG 1119), highlights one of the many problems found when dating versions and copies. The original version, now in The Toledo Museum of Art, Ohio, was identified as Catherine Howard but this has since proved to be incorrect.


The painting style of the copy is more consistent with late seventeenth or early eighteenth-century workmanship. There is a variation in the quality of paint handling throughout the image. For example, the hands, face and fabric appear fairly simply painted, while the jewellery is very finely painted.

It is possible that the sitter was a member of the Cromwell family who once owned the picture. Previously it had been in the collection of a descendant of Oliver Cromwell. It is possible that this was a copy made for a descendant eager to trace or prove ancestry.

For more details see:

Titles

  • Elizabeth Seymour (c.1513-c.1530)
  • Lady Oughtred (c.1530-1534)
  • Lady Cromwell (1537-1551
  • Lady St. John (1554-1563)

Ancestry

Ancestry of Elizabeth Seymour

Sources

  1. Douglas Richardson. Magna Carta Ancestry, 2nd Edition, Vol. III, p. 111-112, 311.
  2. Douglas Richardson; Kimball G. Everingham (2005). Magna Carta Ancestry: A Study in Colonial and Medieval Families. Genealogical Publishing Company. pg 246. ISBN 0-8063-1759-0.
  3. Portrait NPG 1119; Unknown woman, formerly known as Catherine Howard, npg.org.uk
  4. Douglas Richardson. Magna Carta Ancestry, 2nd Edition, Vol. III, p. 311.
  5. Douglas Richardson. Plantagenet Ancestry, p. 247.
  6. Douglas Richardson. Plantagenet Ancestry, p. 572-573.
  7. Douglas Richardson. Plantagenet Ancestry, 2nd Edition, 2011. pg 82.
  • G.E. Cokayne; with Vicary Gibbs, H.A. Doubleday, Geoffrey H. White, Duncan Warrand and Lord Howard de Walden, editors, The Complete Peerage of England, Scotland, Ireland, Great Britain and the United Kingdom, Extant, Extinct or Dormant, new ed., 13 volumes in 14 (1910–1959; reprint in 6 volumes, Gloucester, U.K.: Alan Sutton Publishing, 2000), volume III, pages 555, 557 and 558.
  • Cecil Aspinall-Oglander, Nunwell Symphony (London, U.K.: The Hogarth Press, 1946), appendix